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Furnishing The Home Of Good Taste
By
Lucy Abbot Throop
 
Brought to you by discoverabook.com

Furnishing The Home Of Good Taste

Author: Throop, Lucy Abbot,

-A BRIEF SKETCH OF THE PERIOD STYLES IN INTERIOR DECORATION WITH SUGGESTIONS AS TO THEIR EMPLOYMENT IN THE HOMES OF TODAY...

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Discoverabook.com and its owners are not liable for the content of this material, the author undertakes to take full responsibility for the information submitted. For the sake of anonymity names within this document have been changed, any similarity to any person or persons living or dead is purely coincidental and unintentional. In addition locations may have been changed where the author feels it appropriate. Statements and opinions expressed in the manuscript are those of the author(s) and not necessarily those of the editor(s) or publisher. The editor(s) or publisher disclaim any responsibility or liability for such information. The author(s), editor(s), nor publisher guarantee, warrant, nor endorse any product or service advertised in the publication, nor do they guarantee any claim made by the manufacturer of said product or service.

 

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Reader Type: General

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Book Category: Family, Home and Practical Interest

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The early history of art in all countries is naturally connected more closely with architecture than with decoration, for architecture had to be developed before the demand for decoration could come. But the two have much in common. Noble architecture calls for noble decoration. Decoration is one of the natural instincts of man, and from the earliest records of his existence we find him striving to give expression to it, we see it in the scratched pieces of bone and stone of the cave dwellers, in the designs of savage tribes, and in Druidical and Celtic remains, and in the great ruins of Yucatan. The meaning of these monuments may be lost to us, but we understand the spirit of trying to express the sense of beauty in the highest way possible, for it is the spirit which is still moving the world, and is the foundation of all worthy achievement.

 

and Assyria stand out against the almost impenetrable curtain of pre-historic days in all the majesty of their so-called civilization. Huge, massive, aloof from the world, their temples and tombs and ruins remain. Research has given us the key to their religion, so we understand much of the meaning of their wall-paintings and the buildings themselves. The belief of the Egyptian that life was a short passage and his house a mere stopping-place on the way to the tomb, which was to be his permanent dwelling-place, explains the great care and labor spent on the pyramids, chapels, and rock sepulchers. They embalmed the dead for all eternity and put statues and images in the tombs to keep the mummy company. Colossal figures of their gods and goddesses guarded the tombs and temples, and still remain looking out over the desert with their strange, inscrutable Egyptian eyes. The people had technical skill which has never been surpassed, but the great size of the pyramids and temples and sphinxes gives one the feeling of despotism rather than civilization; of mass and permanency and the wonder of man's achievement

 

rather than beauty, but they personify the mystery and power of ancient .

 

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