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The Dore Gallery Of Bible Illustrations
By
Anonymous
 
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The Dore Gallery Of Bible Illustrations

Author: Anonymous,

-This volume, as its title indicates, is a collection of engravings illustrative of the Bible--the designs being all from the pencil of the greatest of modern delineators, Gustave Dore. The original work, from which this collection has been made, met ...

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Discoverabook.com and its owners are not liable for the content of this material, the author undertakes to take full responsibility for the information submitted. For the sake of anonymity names within this document have been changed, any similarity to any person or persons living or dead is purely coincidental and unintentional. In addition locations may have been changed where the author feels it appropriate. Statements and opinions expressed in the manuscript are those of the author(s) and not necessarily those of the editor(s) or publisher. The editor(s) or publisher disclaim any responsibility or liability for such information. The author(s), editor(s), nor publisher guarantee, warrant, nor endorse any product or service advertised in the publication, nor do they guarantee any claim made by the manufacturer of said product or service.

 

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GUSTAVE DORE.

 

The subject of this sketch is, perhaps, the most original and variously gifted designer the world has ever known. At an age when most men have scarcely passed their novitiate in art, and are still under the direction and discipline of their masters and the schools, he had won a brilliant reputation, and readers and scholars everywhere were gazing on his work

 

with ever-increasing wonder and delight at his fine fancy and multifarious gifts. He has raised illustrative art to a dignity and importance before unknown, and has developed capacities for the pencil before unsuspected. He has laid all subjects tribute to his genius,

 

explored and embellished fields hitherto lying waste, and opened new and shining paths and vistas where none before had trod. To the works of the great he has added the lustre of his genius, bringing their beauties into clearer view and warming them to a fuller life.

 

His delineations of character, in the different phases of life, from the horrible to the grotesque, the grand to the comic, attest the versatility of his powers; and, whatever faults may be found by critics, the public will heartily render their quota of admiration to his magic touch, his rich and facile rendering of almost every thought that stirs, or lies yet

 

dormant, in the human heart. It is useless to attempt a sketch of his various beauties; those who would know them best must seek them in the treasure--house that his genius is constantly augmenting with fresh gems and wealth. To one, however, of his most prominent traits we will refer--his wonderful rendering of the powers of Nature.

 

His early wanderings in the wild and romantic passes of the Vosges doubtless developed this inherent tendency of his mind. There he wandered, and there, mayhap, imbibed that deep delight of wood and valley, mountain--pass and rich ravine, whose variety of form and detail seems endless to the enchanted eye. He has caught the very spell of the wilderness; she has laid her hand upon him, and he has gone forth with her blessing. So bold and truthful and minute are his countless representations of forest scenery; so delicate the tracery of branch and stem; so patriarchal the giant boles of his woodland monarchs, that the' gazer is at once satisfied and entranced. His vistas lie slumbering with

 

repose either in shadowy glade or fell ravine, either with glint of lake or the glad, long course of some rejoicing stream, and above all, supreme in a beauty all its own, he spreads a canopy of peerless sky, or a wilderness, perhaps, of angry storm, or peaceful stretches of soft, fleecy cloud, or heavens serene and fair--another kingdom to his teeming art, after the earth has rendered all her gifts.

 

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